Over the past two days I have written on the subject of the difficulty of getting major cuts in this day and age. It is hard even for "inside" writers and publishers to get them and ESPECIALLY hard for independent, non-connected, OUTSIDE writers.
No matter what it is you do in music - artist, songwriter, player - it's pretty likely that you know you could do more with your instrument. Maybe you're a singer that doesn't want to rely on hiring an accompanist or worrying about backing tracks (ugh, but that's just my slanted opinion).
Every year, kind of like clockwork, people go through their “NEW YEAR’S RESOLUTIONS” and of course with songwriters, it always includes, “THIS IS THE YEAR TO GET MY MAJOR LABEL CUT!” I understand all the “Norman Vincent Pealeism’s” of “The power of Positive thinking, and all, and do understand th
This is going to be a little "suggestion lesson" that I want to mention to those of you who are in the LYRIC areas of websites, doing open mics, writers nights, trying to make your way in the new landscape of the industry.
Co-writing: The art of sharing your heart felt ideas with another person and trusting the two of you will create songwriting magic. This can be tremendously rewarding and often frustrating. But there are some guidelines to make this experience more often than not a great one.
By Gary Burr Songwriting Master Class • August 19, 2016
Writing a song is an amazing and mystical process. It's also roll-up-your-sleeves hard work and involves a great deal of headache-inducing staring at a blank page (or a computer screen for you "kids").