A lot of time I have a difficult time explaining what one of my "tours" are all about. It is a "TOUR" through the participants, past, present and future, and while most come to Nashville, I do it in other places, primarily, the Frank Brown festival in Nov. in Perdido Key Fla.
Most of the modern day hit writers, and artists, started out years before as a home town hero. Playing all the bars, and clubs in their area. Some might have local record deals, step up to regional artists, in bands, etc. Sooner or later, they make forays into LA, New York.
I get lots of my inspiration for articles and blogs from things my songwriting coaching clients bring up in our sessions. Last week I had a writer say they couldn’t afford to pursue their songwriting because they simply didn’t have the funds. He let me know he was giving up . Period.
I’ve come to believe in my 20-plus years in music that by setting reasonable expectations and doing the work, it becomes much harder to be fooled or discouraged by some of the pervasive myths that exist around songwriting success.
My buddy Robert Daniels, did a post yesterday on the saying that Nashville is a "ten year town." Well, that is a well worn phase and while some people do go a little faster, if you investigate the history of the town and the people in it, you find it holds true more times than not.
When you think about “technique” or technical playing, you probably think of what musicians call “chops”. It’s a general term but it’s almost always used to refer to difficult or physically challenging music.
I have seen a few posts on Facebook and other places that ask "Why do people in Nashville all play for free? Don't they know that you should get paid for what you do?"
The answer is a bit complicated, but for those of you who have wondered that, here it is: